Small Bulletin Lyon - Theater and Dance Lyon: second departure - article published by Nadja Pobel

A dance biennial chained with the All Saints holidays will have a good time the theatrical dynamics of this start of the season, except at the Croix-Rousse which, aligned Laurent Brethome, Emmanuel Meirieu, David Bobée and Pierre Guillois.The pace will not weaken there in 2015 with in particular the long -awaited she burns (March) of the female duo Mariette Navarro / Caroline Guiela Nguyen and speech to the nation (April), manifesto of Ascanio Celestini which David Murgia took overCollective Raoul.

Claudia Stavisky will once again confront a British text after the very successful Blackbird, going up for the first time in France in a free wheel (January) of the young Penelope Skinner, a raw text on a woman whose carnal needs are tenfold by thematernity.For the occasion, the director of Célestins invests the workshops with, among others, the brilliant David Ayala.The Italian plateau will be occupied by a slew of promising shows whose rehearsal where Emmanuelle Béart joins, under the direction of Pascal Rambert, the epic closing duo of love, Stanislas Nordey and Audrey Bonnet (that we will seealso in May in the same place under that of Roland Auzet for in the solitude of the cotton fields).At least two other pieces promise to be unmissable to the Célestins and they say the excellent form of form of the new generation: the elementary particles (February) of Houellebecq adapted with fidelity and fervor by Julien Gosselin, then Belgrade of Angelica Liddell, proposedBy the Lyonnais collective the packs the no less hungry Navarre dogs returning them where they grew up, to the subsistence, with the Norman cupboards (June).

Recovery signs

Another young under the fire of the ramp since his Henry VI in 6 p.m. in Avignon this summer, Thomas Jolly will be in the Renaissance with a young audience, Arlequin polished by love (March).No creation, however, for Joris Mathieu, but projector at the Ateleirs on Jean Lambert-Wild (June) and the visual artist Miet Warlop (March).Same thing for Gwenael Morin who, if he remains director of the point of the day, invites the collective X to develop the permanent theater in his place with the Selier de Satin, visible in episodes from January to April.

The TNP displays nothing less than Bob Wilson, Martinelli, Catherine Anne and two heavyweights of the last Avignon festival (the unequal the prince of Hombourg by Corsetti and Orlando or the impatience of Olivier Py).Finally, note the recovery in the same place of the amazing triumph of love (April-May) of Michel Raskine, who will also go through Villefranche, like the virtuoso Circassian of Xy and Sandrine Bonnaire (for the smellof Richard Brunel boards, also at the atrium in May).The actress will also stop at the Maison de la danse with the mirror of Jade (March), also created at the comedy of Valence.It is also there, and only there in Rhône-Alpes, that will be visible You are my destiny, variation of Liddell on Lucrèce Borgia, and Trauernacht, by the acolyte of Martin Crimp Katie Mitchell.Almost a political gesture, by the times of cultural austerity that run.